The Mummy, an appreciation

With the news that there is going to be an unnecessary Mummy reboot, I felt that it was time to reflect on just how good the 1999 reboot was.

My favourite moment of the last franchise was when someone pointed out just how tenuous a concept Scorpion King 2 was. It was a sequel, to a spin-off, of a sequel, to a reboot. Say what you like about the movies, the fact that they could drag them out that far must be an indicator of just how successful they were.

The key to this was, undoubtedly, good writing. The characters were well-rounded, honest and human. Brendan Fraser is perfectly-cast as a rough-and-ready soldier-for-hire with a great streak of humour. Rachel Weisz is perfect as his counterpart who transitions from a timid, clumsy librarian to a kick-ass femme fatale. And there are plenty more moments like it!

John-Hannah-in-The-Mummy

The whole thing is a tour-de-force of half-remembered Egyptian history. There is the army of Arabic guardians, the French Foreign Legion and enough fezzes and pith helmets to shake a stick at.It cuts corners with the factual side of things. But sometimes this approach is actually a good thing. It means that the viewer can instantly relax into the story, rather than having to sit up and figure it all out first.

It is what I’d call a B-movie. It is heavily reliant on CGI, which was not as good as it could have been. It is also a little bit cheesy in places. The rascally coward Beni is way too weasily. And Brendan Fraser’s wisecracking in some life-or-death situations seems pretty insincere. But beyond that, the film is almost perfect.

So beat that, Tom Cruise. I dare you!

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