This week, all kinds of hell were raised when Northampton Borough Council tried to auction off an Egyptian statuette that had been donated to the Northampton Museum and Art Gallery, and a boycott began against the new Hercules movie. In both cases, Alan Moore was a vocal figure; denouncing the shadowy figure of The Man, and calling Him out. But who the hell is Alan Moore, and why should we care?
In the context of the news stories, it is important to note that Moore is one of Northampton’s most famous sons. He is known for his work as a comic book/graphic novel writer. ‘V for Vendetta’? That was his idea. ‘Watchmen’ too. Also ‘League of Extraordinary Gentlemen’, and so on. FYI, he really hates the film adaptations of his work, and refuses to watch some of them. He’s also a wizard, and has written books on the subject. He’s also a pagan, and an anarchist, and lived with two wives for a bit, but none of this is important. What is important is that he only really surfaces when he is riled. Personally, I wouldn’t get him riled if I was you. He knows more about Cthulu than you do. Right now, he is riled. Let’s have a look at what has got him into this state.
Selling off the treasures
I’ll be honest, I can’t completely see what all the fuss is about here. The Northampton Museum and Art Gallery is trying to raise money to build a new wing, and in order to do so, it is auctioning off a single part of its collection. The item in question is a statuette of Sekhemka, a royal inspector of scribes during the fifth dynasty. It was given to the museum as a private donation, so they do own it. But there are museums that simply cannot afford to store all of the artefacts they receive, much less display them. Alan Moore’s objection seems to be based on the fact that he has donated some of his own possessions to the museum, and that he doesn’t like the idea that they could just be flogged off by the council with little-to-no notice.
Maybe it’s a fair point; if you give someone a present, there is an expectation that they won’t re-gift it. If an artefact is donated to a museum, there is an assumption that they won’t just flog it off to raise more money. But Moore has displayed this kind of naivety before. When he sold off the film rights for some of his graphic novels, he claims that he had no expectation that they would actually be turned into movies. So maybe Moore should have been a bit wiser to the ugly realities of the world. His graphic novels have no problem depicting the darker side of life, but it seems to be something he doesn’t expect IRL.
But he’s not the only one who’s got beef here. Arts Council England has also piped up. The Arts Council has donated hundreds of thousands of pounds to the Museum over the last couple of years. I guess if I’d given someone that much I would be pretty pissed that they had flogged one thing and raised over ten times that amount. But it also turns out that this contravenes some of their stricter ethical guidelines to do with preserving the past for future generations. So the Arts Council are now looking at retracting the museum’s accreditation, which would mean that it would receive fewer grants in future and have to sell more stuff; spiral of destruction etc. etc.
But the sale is also now being challenged by the Antiquities Ministry of Egypt. TBH, if this challenge is anything like any of the related cases, where countries try to reclaim ancient objects that were removed centuries ago, then I don’t hold out a lot of hope. If Sekhemka wants to go home, he’s going to have to hope for an Egyptian-sympathetic bidder to beat the odds. However, all this attention won’t be doing the museum any good. The loss of accreditation could be devastating, and altruistic rivals with positive uses for Arts Council grants will gladly oust the Northampton Museum from the queue. The dread lord works in mysterious ways.
Confusingly, there are three Hercules films coming out this year. The Legend of Hercules has already come out, and Hercules Reborn will be out in Hungary later this year. Neither stars anyone I’ve ever heard of, and both look like a poor man’s rehash of all the more memorable swords-and-sandals blockbusters of the century. This seems to happen a lot in Hollywood but, ultimately, they aren’t important. The one we’re talking about is just Hercules, but it’s an adaptation of the comic book ‘Hercules: The Thracian Wars’, which was written by Steve Moore, who is a friend, but not a relation, of Alan Moore. He was also one of the founders of the Fortean Times, so he was a pretty cool bloke.
If you want all the salacious dirt, check out the Bleeding Cool interview with Alan, but to cut a long story short, Steve got screwed over by the industry, and didn’t get a penny from the movie. He wasn’t happy about that, but accepted that the screwing-over was legally sound, and simply asked to have his name removed from the film. Except he had a terminal illness and has since passed away. However, when the obituaries started pouring in, the film’s marketing people took notice, and started trying to use it to drum up attention for the film. Real classy, guys. Oh, and then they claimed that it was the film that was paying for his medical care during the last few years of his life. Despite the fact that that wasn’t a true fact in any way. And that’s why Alan is trying to raise a boycott of the film.
I couldn’t find any of the obituaries that really stretch that last point, and they may have been taken down by now. However, most of the news stories abut Steve do mention the upcoming film and the posters all seem to use Moore’s name. This post particularly seems to sum up the hype. So I can definitely see Alan’s point on this one. I had half considered going to see this movie. It does have some really good actors in it, even if they are only going to be people for The Rock to fight/hate/rescue/watch die etc. But really, I could probably save the inevitable £12 it will cost to get into the film and buy myself three or four very nice pints of beer instead, and that will be just as memorable.
Do not meddle in the affairs of wizards, for they are subtle and quick to anger.