I have a new favourite person. She’s a high school history teacher turned US Marine/pilot/published author, but that’s not why I approached her. Her name is Janine Spendlove, and she designs historical versions of historical twists on iconic fictional costumes. One of the projects she has been working on is a renaissance-era Justice League of America. For reasons.
History Mine: How exactly did the idea for the Renaissance Justice League of America occur?
Janine Spendlove: At Dragon*Con 2009 our little group of friends all got together for our traditional Monday night dinner (since it seems we rarely get to see each other during the course of the weekend) and we were discussing all the cool steampunk groups we’d seen. We all liked the concept, but none of us were that into steampunk. My husband, Ron, had been trying to convince us to do a Justice League group for a while, but many of us were not keen on running around in skin tight outfits. So then, and I’m not sure quite how it happened, but Ron ended up jokingly saying “Instead of a steampunk JLA, we should do a Renaissance JLA.” And the idea caught fire.
By the end of the dinner we’d had a ton of people say they wanted to do the group, and claiming their characters (Ron and I immediately jumped on Superman and Wonder Woman, our favourites). By the next year many of the original people who wanted to do the group couldn’t, but over the years some people have added in, and others have left. It’s a really fluid group, and any one is welcome to join us. Honestly the only requirement is that you do a Renaissance version of a DC character costume (villains included) – we want to be as inclusive as possible with this group.
HM: How much research did you do?
JS: I knew next to nothing about historical costuming, so I consulted my friend Maggie at Costumer’s Guide, and she pointed me in the right direction. I narrowed down the era and the country I wanted to go with and then settled on a dress that was fairly historically accurate (I ended up picking an Anne Boleyn dress). From there I printed it out in black and white, and coloured it to get the looks and colours I wanted.
Since we couldn’t see Wonder Woman’s iconic boots, I thought using the overskirt to call back to them would be good, so I went with red, lined with two thick white stripes on the outer skirt. This also minimized how much blue with stars there would be on the under-skirt, since I didn’t want to look like an American Flag. I also wanted to have her bracers, so called back to them by having the sleeves lined in metallic silver.
HM: What are your favourite touches from each of the JLA outfits?
JS: This is hard because I really love all aspects of all the costumes. But I’ll name a couple things. For Superman it’s got to be the red striped poofy pants. They make me laugh, and really remind me of Supe’s ‘manties’. For both Batman and Hawkgirl it’s their lovely leather masks – so perfect! The Wonder Twins… their entire costumes crack me up! Jimmy Olsen’s sketch pad so he can draw us is brilliant. Cyclone’s simplicity and focus on her gold logo is perfect, and for my own wonder woman, my favourite part is my lasso!
HM: There isn’t much of a convention culture here in the UK, so could you tell us about it? It seems like you’re changing outfits a lot!
JS: I’m usually at conventions as a writer now, so 99% of the time when I go, it’s to work. Because of my costuming background I do end up judging a lot of costume contests. But, 5-10 years ago there were days at Dragon*Con where I’d wear five different complicated costumes in a day. I honestly don’t know where I got the energy to make all those costumes and change into them and actually get some quality time in them!
Conventions like Dragon*Con have a lot of group meet-ups and it’s a lot of fun, and I wanted to be a part of as many of them as possible. These days, if I take a costume to a con, it’s usually something to compliment my daughter’s costume, or something subtle (like Disney Bounding). I do always take a big costume to Dragon*Con. Lately it’s been my Thor costume for my Avengers group. SO MUCH FUN!
HM: You based the ‘historically accurate Snow White’ outfit on Claire Hummel‘s cartoon. What was the particular appeal of that outfit for you?
JS: I love Snow White and she’s my favourite Disney princess. I took one look at Claire Hummel’s historical version and was like “I MUST HAVE THIS DRESS, LIKE; YESTERDAY.” It was a very visceral reaction. I loved it! This dress is actually my fourth different Snow White costume, so pretty much if you make awesome Snow White fan art, I’ll probably try to find a way to make a costume of it.
HM: How much wardrobe space do you need?
JS: HAH! When I was at my peak (sewing a ton of costumes and wearing 15 different costumes at a con) I had an entire room dedicated to storing my costumes and their accessories (in all fairness, like a third of the costumes were my husband’s since we like to do ‘couples costumes’). Then we moved away from the countryside and our large house to a tiny apartment in the city, and had to get rid of a lot of stuff, so I culled down my costumes. So I’d say that my costumes now fill up an entire hanging closet plus four to five large bins of accessories. And I haven’t even touched shoes…
HM: Could you tell us a bit about your books?
JS: I write all kinds of fiction, military sci-fi, horror, fantasy, and more. But what I’m best known for is my fantasy trilogy; War of the Seasons. It’s about a girl named Story who falls into a world filled with trolls, dwarves, elves, dryads, and really nasty faeries that try to kill her a lot.
My favourite part about writing is the research aspect of it, because whether I’m writing fantasy or non-fiction, I’ve always got to dig into history somewhere. For example, my War of the Seasons trilogy is deeply steeped in Celtic mythology, and that was an absolute blast to research not just the mythology itself, but the time period. My next book series will be based in Norse mythology so I’ve been studying up on Vikings; absolutely thrilling!
HM: How the hell do you fit the time in?
LOL! Well, I have written a blog post about that. The big thing is I prioritize my time. For example, with both my Renn Wonder Woman and Snow White I was in the middle of working on a novel I had to finish. There are only so many hours in the day and there was just no time to do both. So in this case, since no one else could write my books, I hired a friend of mine, Jess, to sew my costumes. She had the time, needed the work, and I knew she’d do an amazing job because I’d seen her other work first hand. Win/win for both of us. There are some costumers out there who turn their nose up at people who don’t sew their own costumes. To that I say I’m very sorry for them and their snobby, cliquey attitude. Costuming should be inclusive, not exclusive.
Thanks very much to Janine for chatting with us. The first book in the War of the Seasons trilogy is available to read for free on Wattpad. You check out Janine’s costumes here and her author website is JanineSpendlove.com. She is on social media as JanineKSpendlove or JanineSpendlove.
If you enjoyed this blog then you might also like some of the other interviews I have done, such as the one I did with the ladies behind Manfeels Park, or my chat with historical Lego modeller James Pegrum.